Production classes
Learn at the desk it was made on.
One to one, at the desk. You bring the track you're stuck on and we open it — or you bring nothing, and we start there.
What you leave knowing
- Finishing an arrangement instead of looping the same eight bars
- Hearing why your low end is fighting itself, on monitoring that doesn't lie
- Knowing what to do when a track stalls, rather than starting another one
Who it's for
- You have been making music alone for a while and have stopped getting better
- You can drive your DAW but you have never finished anything
- You are starting from nothing and would rather learn on your own laptop than in a batch of twelve
The room
The room has floor-to-ceiling glass on two walls and a wraparound desk with three mic’d stations. It is a working studio, not a classroom. Sessions happen at the desk where the music gets made, on the monitors it gets mixed on.
That matters more than it sounds. Most production teaching happens on headphones in a room that lies to you. Two hours on accurate monitoring, with someone pointing at what you are hearing, beats a term of video courses.
There is no certificate and no syllabus. If you need one for a college application or a visa, we are the wrong place — and we will tell you that before you book, rather than after you have paid.
Formats
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One to one
Quoted on enquiryAt the main station, on your own session. No curriculum — we start wherever you are stuck. Most people come once, fix one thing, and leave. Booked one session at a time, never as a package.
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Three at once
Not yet runningOne per desk. It runs once the one-to-ones have shown us what people actually get stuck on, which is not something we are willing to guess at.
Booking
Tell us what you are stuck on.
A couple of lines is plenty. We reply with timings, the rate, and what a first session would cover.